Windsurf.me.uk

Maybe one of the last "warm" days at the baltic sea, it`s getting cold too fast. I sailed at my favorite spot "Brasilien" (baltic sea) where I learned windsurfing in 2003 and I still love this place!
Thanks a lot to Bo Roosch for filming on that day!

Windflüchter Surfboards // Sailloft // Prolimit

Music:
https://freemusicarchive.org/music/The_Rope_River_Blues_Band/The_Some_Bluesman_Recording_Company/To_Live_for_Adventure_or_People_Talk

Filmed at the National Watersports Festival on Hayling Island in the UK - the birthplace of windsurfing (apparently). Such a great event with wind or no wind. The real highlight was seeing how many younger kids were at the beach who will hopefully be inspired to pick up a board and get on the water in the near future themselves.

The evening light was amazing and in the background, of most of the shots, is my home town of Portsmouth. I may not live in a windy paradise but it is a beautiful part of the world to call home. When it is windy though it can be an incredible place to be, you just have to get in the car and go explore.

I actually really like the tow in windsurfing discipline. It might not be real windsurfing, as there is obviously no wind. But as a spectator and for impressing the crowds it does a great job and is also nice to film.

A big thanks to everyone responsible for making the festival what it is.

https://nationalwatersportsfestival.com

Artist: Cat Meat
Track: Lowjacked
https://catmeat.bandcamp.com
https://facebook.com/catmeatmusic

Filmed / Edit: Jamie Hancock

Been so busy traveling around filming everyone else and making product clips it's nice to make some stuff from some trips with my pals earlier in the year

Artist - Pink Floyd
Track - Breathe (In the Air)
https://itunes.apple.com/gb/album/dark-side-moon-remastered/id700016575

Shot on the golden shores of the Oregon coast. This second adventure of Through My Eye's captures the spirit of free riding and the reflections from two riders who have followed their childhood passions.

Featuring Levi Siver and Marcilio Browne
Shot and edited by Cody Carter